compositions
electronic
Tinker (2025) for oboe and fixed media — 6.5’
First Fortune (2025) for oboe and live electronics — 9’
Cassandra Madness Frames (2024) for piano and electronics (+ three actors) — ~14’
Night of the Living Dead (2023/24), fixed media with accompanying film — 8.5’
The Action is Elsewhere (2019), fixed media — 8.5’
The Face of the Deep (2016) for female spoken voice and fixed media — 17’
Washed Away (2015), soundtrack to short film — 2’15”
Chamber
Can Opener (2025) for pierrot ensemble with two percussionists — 7’
Monument (or Dirty Woman Creek Park) (2023) for flute, oboe, bass clarinet, alto sax, piano, and percussion — 8’
Perfume (2018) for two clarinets, three high voices, and double bass — 6’
Merry Christmas #1 (2017) for piano, high voice, low voice, and viola (or guitar) — 4’
A Bit Less Liquid (2017) for flute, oboe, clarinet (doubling bass), horn, tenor sax, and bassoon — 7’
Moon|Tide (2016) for piano and percussion quartet (two pianos and two percussionists) — 12’
Flower (2016) for guitar trio (any guitar, but electric preferred) — 6’
In Dreams (2016) for string quartet — 7’
Branch and Burn (2015) for saxophone quartet — 8’
Spectroscope (2015) for oboe, clarinet, two violins, and vibraphone — 16’
i. Spectrum
ii. Infrared
iii. Ultraviolet
Spectrum (2014) for oboe, violin, and vibraphone — 7’
The Meijer Bag of Mystery (2014) for 9 or more performers (open instrumentation, with range suggestions) — ~15’ (highly variable)
Taos, Waiting (2014) for oboe, clarinet, viola, and percussion — 12’
Solo/Duo
Tinker (2025) for oboe and fixed media — 6.5’
Dichterliebe (2025) for solo piano — 10’
First Fortune (2025) for oboe and live electronics — 9’
Cassandra Madness Frames (2024) for piano and electronics (+ three actors) — ~14’
Cross-stitch (2023) for two knitting needles — 2’
The Face of the Deep (2016) for female spoken voice and fixed media — 17’
Disassembly Required (2015) for oboe and clarinet — 7’
Winter (2014/15) for solo piano — 16’
i. spectrum
ii. hyperborean
iii. torpid
Piano Patterns #1 (2014) for solo piano — 3’
Hydrogenated Oils (2013) for solo marimba — 3’
Trapped in a Greyhound Bus Station (2013) for bassoon and soprano saxophone — 3’
The Clabbing Flap-eze (2012) for percussion duo (playing far too many instruments for a one minute piece) — 1’
The Flying Clap-eze (2012) for two hand-clappers — 1’
Large scale /Theatrical
Cassandra Madness Frames (2024) for piano and electronics (+ three actors) — ~14’
IQPC (2024) for full orchestra — 8’
To Dracula’s Castle (2020) for concert band — 12’
Degrees of Turpitude (2017) micro-opera for five sopranos (+ percussion) and piano — 17’
Aurora (2015) for full orchestra — 9’